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A Gentleman's WagerLong before I discovered epubs, I was reading Black Lace novels. Now celebrating their 15th anniversary, this U.K. publisher is known for its intelligent erotic stories for women such as the brilliant Black Lace classics Menage by Emma Holly (now a Virgin Cheek title), Continuum by Portia Da Costa, and one of my favorite books of all time, A Gentleman’s Wager by Madelynne Ellis.

PhantasmagoriaWith the recent re-release of A Gentleman’s Wager (read my review) and the upcoming U.S. release of its much anticipated sequel, Phantasmagoria on April 29 (reviewed here), I asked Madelynne to stop by and answer a few questions. And even though I’m pretty sure she thinks I’m a slightly obsessed fangirl, she actually agreed!


Welcome to the Pond, Madelynne!

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Every author gets asked this question or some variation of it. So, here at TGTBTU, we’ve made it easy for authors to answer by providing you with a multiple choice listing of the three most popular answers to “Where do your ideas come from?”…
A. The Muse – you know, the creative force that inspires you to write… or
Sharon Stone.
B. The Voices in Your Head – or as we refer to them here at TGTBTU, ‘The Sybil.’
C. The Profession – it’s a job, sit your ass in the chair and type, and try not to make authors look flaky(ier) than we are, damn it.
 madelynne-oval_icon.jpg  B. Yeah, definitely The Sybil.
   
 quacking_round.jpg  Do you listen to music when you write? What’s typically playing? Are there old favorites you fall back on when the writing is giving you fits?
 madelynne-oval_icon.jpg  madelynne-gackt.jpgI don’t so much listen to music while I’m writing as take musical interludes. This is where I crank up the volume and stomp up and down, using the music to conjure specific moods. When it comes to the actual writing, I often find that the music is too distracting. For a while I combated this problem by listening to lots of Gackt. He’s Japanese so I didn’t have the problem of me singing along causing me to lose focus. Now, I sing along in bad Japanese.As for what I listen to… It varies wildly, for example the current section in my CD player: Gackt (Jpop), Cradle of Filth (goth/metal), Donovan (trippy 70’s folk), Juan Martin (Flamenco guitar), & Suede (Britpop).
   
 quacking_round.jpg  What is guaranteed to distract you from sitting down and working?
 madelynne-oval_icon.jpg Children.
   
 quacking_round.jpg  A Gentleman’s Wager was first published in the UK in May 2003 but you started writing it in 1994 and didn’t finish until 2001. Let’s go back in time. You have a degree in Biology and Chemistry. Subsequently, you begin research in Parasitology and Malaria, then a friend sees you reading a Black Lace book and urges you to “give it a go”. Why did your friend think that your logical, scientific mind could write an erotic fiction story (and do such a phenomenal job of it)? Has your creative side always found an outlet through writing? Was AGW the very first thing you submitted? Honestly, it just fascinates me that both types of thought processes could be so strong in one person.
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ellis_madylynne-agentlemanswager-original.jpgErm, a) because said friend is a perv… and b) because he’s been on the receiving end of my role-playing scenarios.My creative side has many outlets. I enjoy costume making and theatrical make-up and painting (badly). Although I’ve always created elaborate imaginary worlds, prior to A Gentleman’s Wager, I’d never made any serious attempts to write them down. AGW was the first novel I submitted. I think I’d subbed one short story prior to that point which went missing somewhere in e-space. [Ed.(Bev): at right is the original cover for AGW]
   
 quacking_round.jpg Now, here we are a few years later and AGW’s long awaited sequel, Phantasmagoria, is being released AND it’s been chosen to kick off the Virgin Black Lace 15th Anniversary Celebration! [Huge Congrats!] Was this a story that had been simmering on the back burner for awhile? What finally started the story flowing onto paper?
 madelynne-oval_icon.jpg  madelynne-stokesay-titles.jpgI can categorically say there was no simmering involved. At the close of AGW, I genuinely had no intention of ever writing a sequel, despite numerous requests from people to do so, and loving those characters. As far as I was concerned the story was done.As for what changed that… a chance visit to Vaughan’s home.While researching a location for a short story that I never finished, we happened to drive through the village of Pennerley, from which Vaughan’s title is derived. We then went on to Stokesay Castle. To say I fell in love with the place would be an understatement. I was struck by the realization as we approached, that this was Vaughan’s home. In each room, I could see him laughing, prowling and brooding. It was still several weeks before a story emerged though. I actually went in search of a dictionary, and instead sat down and wrote the outline for Phantasmagoria. It literally came out of nowhere, and left me feeling both shocked and excited. Believe me, novels out of nowhere is not the norm for me. I’m used to the blood, sweat and tears approach to outlining.
   
 quacking_round.jpg  Writers often say their stories take them in surprising directions, or dialogue flows from some unknown place. Is it the same with you? Do your characters surprise you sometimes? Do you ever argue with your characters while you’re writing? Honestly, as long as you don’t ask “What did you say?” I think you’re still on this side of sane.
 madelynne-oval_icon.jpg I don’t generally argue with my characters, I may growl at them occasionally when they insist on rewriting the lovely plot twist I’ve thought up. I work from fairly skeletal outlines, and focus heavily on characterization and character interactions, so I’m rarely surprised by what my characters do or say, but conversations do run away from me sometimes, and suddenly veer off at tangents.I’d say the main problem I have with my characters is that I frequently get very clear images of events unfolding, but I don’t understand how they connect, and then I spend ages trying to figure it all out. For example, in Phantasmagoria, I had a clear image of Vaughan carrying Bella through the castle asleep in his arms, but I couldn’t for the life of me work out why it was necessary for him to carry her anywhere. Why hadn’t he just left her in her bed and had his wicked way? Eventually, everything fell into place and it made perfect sense, but not before it had given me two-month headache.
   
 quacking_round.jpg  You took one helluva risk with Phantasmagoria. The characters from A Gentleman’s Wager are so beloved, yet you did NOT give them the expected happy ending in Phantasmagoria. In fact, it’s an emotionally painful look at what happens when their relationship falls apart. Did you have any idea how dark Phantasmagoria was going to be? Or maybe the question should be- WHY did you write such an emotionally dark story? While you were writing it, were you able to walk away from all those emotions, or did you feel like you couldn’t quite shake off all that darkness when you left your desk?
 madelynne-oval_icon.jpg  I knew from the start that Phantasmagoria was going to be the dark heart of their story and that it was going to be a rough journey. It’s not the end of the story though (although I still need to convince an editor of that.) As for why I chose to write something quite so emotionally tortuous, I suppose the reasons are two-fold. Firstly, I strive for emotional complexity and I think it’s only through tragedy that you really see what makes people tick. A story about Vaughan, Bella and Lucerne all getting along wouldn’t have made for a very gripping read, regardless of how much hot sex they were enjoying. The second reason is rather more personal. Just prior to embarking upon writing Phantasmagoria I received some devastating and life-altering news. I’m not prepared to divulge any more information about it than that. However, that period was an extremely difficult time emotionally, and I’m sure that my feelings tipped over into my writing. I certainly cried buckets over certain events. You might say that I was using my characters as a sort of therapy. Though their problems have no resemblance to my own.
   
 quacking_round.jpg  Then you decided to do something even more surprising- instead of finishing the story immediately with a follow-up book, you are doing a spin-off series before returning to the original characters and finishing their story. Do you already have all these subsequent books mapped-out/outlined or are you a “seat-of-your-pants” writer and start with a basic idea but then let things happen as your muse/characters/secret-voices direct at the time?
 madelynne-oval_icon.jpg  I’m definitely more of a “seat-of-the-pants” writer than a plotter. What I have for these subsequent books are key points and general themes I want to explore. The first spin-off book is more or less complete. As for why I decided to do the spin-off stories first… it’s to do with the timeline of events, as key characters from AGW and Phantasmagoria crop up in these stories. The other reason I didn’t immediately launch into completing Vaughan, Bella & Lucerne’s story is because I needed a break from Vaughan. He’s a bit intense, you know. And very demanding! Also, I wanted time to let the ideas percolate.
   
 quacking_round.jpg  In both A Gentleman’s Wager and Phantasmagoria, you treat us to very visual physical descriptions of the characters… except Bella, the female lead in both books. We really know very few details about her looks. Was that a conscious decision on your part? When you are writing, do you view the story through the eyes of one of the lead characters (in this case, Bella’s), and consequently lead the reader to do the same?
 madelynne-oval_icon.jpg  I can’t honestly say that it’s a conscious decision. Actually, I’m surprised. I thought she was described. If the details of her appearance are less exact than those of the men, I suspect that can be put down to the fact that while I love my female characters, I’m not in love with them. I’m always hopelessly infatuated with my male characters. I work on the principle that if I love them, there’s a fair chance that someone else will feel the same way.
   
 quacking_round.jpg  AGW and Phantasmagoria are historical stories (Georgian), but you also write contemporaries, including yaoi inspired and paranormal. Are any of these sub-genres easier/harder than the others for you? Is it hard to transition back and forth between them, or does the contrast actually make it easier to keep them separate in your mind?
 madelynne-oval_icon.jpg  Dark DesignsPassion of IsisEach book is different. I don’t think it’s the sub-genre that governs whether something is easier/harder to write. I enjoy writing historical novels because the period fascinates me. Paranormals allow me to let my imagination run wild. Contemporaries… Unless something specific inspires me, eg Egyptian archaeology (Passion of Isis) or yaoi manga/gothic fashion (Dark Designs), I tend to avoid them. I actually find the humdrum realism of them frustrating. Also, because my contemporaries focus on niche settings, they tend to involve vast amounts of research, even more than the historical set books.
   
 quacking_round.jpg  So, what releases are coming up for you? What are you working on right now?
 madelynne-oval_icon.jpg  PossessionNo scheduled releases at the moment after Phantasmagoria. Currently I’m working on the second draft of the first AGW spin-off story, and outlining a sequel to my recent paranormal novella Broken Angel [from the anthology, Possession].
   
 quacking_round.jpg I just have to ask you about the live role playing (LRP) events that you and your partner run. Please tell us more- Are there specific historical periods that you portray? Are they mysteries, comedies, dramas? Are your children involved or are these adults-only events? Are they outdoor only events or do you hold them at different venues year round? You also put together props, come up with plots, make period costumes, do the make-up; basically keep everything running. Is this a hobby gone mad or has it now become a business in the “find what you love to do, then find a way to get paid for it” sense?
 madelynne-oval_icon.jpg madelynne-3qtrslength.jpgLRP – lets see, indoors, outdoors, generally either turn of the century horror or pseudo-medieval fantasy, lots of different venues across the UK ranging from campsites to castles. I’m actually feeling quite out of touch with it, other things have cut into the time we have to spend on these events. [Ed.(Bev): that’s Madelynne in one of her period costumes]

10 Quick Quacks about Madelynne Ellis

1. Milk, dark, or white chocolate? 
 Milk. Dark chocolate gives me a headache and white chocolate is just yuck.
2. If you could spend one month anywhere in the world, where would you go?
 madelynne-fortclonque.jpgSomewhere where there wasn’t anyone else. Possibly Fort Clonque. It’s a tiny island off the coast of Alderney, Channel Islands, which houses a fort and nothing else. [pictured at right]
3. Burn, tan, or SPF=cardboard?
 Eh? I don’t do sun.
 4. Gym, sports, or “I love my ass”?
 I swim when the UK weather doesn’t mean I come out with icicles in my hair.
 5. What author haven’t you read that you keep meaning to?
 Glancing at the TBR pile. Sherrilyn Kenyon. I appear to have a large pile of her books that I’ve not looked at, and Sebastian Faulks.
 6. Heels or flats?
 Flats, mostly.
 7. Johnny Depp, Brad Pitt, Orlando Bloom, George Clooney, Gerard Butler, or Sean Connery?
 Johnny Depp but only by default. Really none of the above.
 8. Coffee or Tea?
 Black Coffee
 9. Favorite dessert?
 I’m not a dessert person. [Bev: HAH! See? She’s NOT perfect!]
 10. Peanut butter, jelly, or Vegemite
 In what context? [Bev: When you read Phantasmagoria, you’ll understand why she couldn’t give a decisive answer. hee]

Thank you so much for coming out to play with us, Madelynne!

Madelynne’s novels and novellas:
A Gentleman's WagerPhantasmagoriaPossessionDark DesignsPassion of Isis


Madelynne’s short stories can be found in these anthologies:
Dirty GirlsLove on the Dark SideG is for GamesSex in Public: Wicked WordsCream: Best of ERWASex and Shopping: Wicked WordsWicked Words 8


Virgin Black Lace books can be ordered from Amazon, or through Borders, and Barnes & Noble. Many new Black Lace releases can also be found on the shelves of the latter two stores.

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Quick bio notes and what Madelynne will be up to:  madelynne-san_francisco.jpgMadelynne, who lives in the U.K. with “Mr. Madelynne” and their two children, is a frequent contributor to the Virgin Black Lace group author blog, Lust Bites. Last July, Madelynne partnered up with Portia Da Costa to host a Not Going to Nationals Cyber-Workshop on writing erotic scenes over at the Romance Divas forum (their members-only thread can be found here). This year Madelynne, travelling with authors Portia Da Costa/Wendy Wooton and Saskia Walker, is going to make her FIRST visit to this side of the pond to attend RWA Nationals in San Francisco! So if you’re also going, make sure to hunt her down. And for duckies sake— will you please take them under your wing and make sure they get to see more of the U.S. than the inside of the hotel?!

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CONTEST:  Madelynne will be sending some Lucky Duckie a SIGNED copy of A Gentleman’s Wager AND Phantasmagoria! Winner will be chosen from comments on this post or on my review of Phantasmagoria over here. Keep in mind that these are erotic historical romances containing m/m, m/f/m, m/m/f, and m/f scenes. Each book also contains a brief f/f scene. So, if that doesn’t float your boat, or you are under 18, feel free to leave a comment or question for Madelynne, but please indicate you don’t want to be entered in the drawing.