There’s a great public fascination with unsolved mysteries, which generally peaks whenever a new piece of evidence is uncovered, particularly if that evidence changes the investigation from one involving a missing person to a murder enquiry. While such news provokes excitement in uninvolved spectators, it can create far more ravaging emotions in those involved in the original case, no matter how innocent they might be. Any such crime has a victim and a perpetrator, and when both are part of the same social group, the repercussions are bound to affect all of their friends and families. So it is for Kate Channing and her erstwhile university friends ten years after they last went on holiday together – and ten years after the girl holidaying next door disappeared.
Estranged lovers reunited years later is a common trope in romance novels, although it works best for me when both lovers have already worked through the reasons for the original estrangement and are prepared to talk things over like grown-ups when they meet once again. The scenario has more likelihood of working in LGBT+ stories than in heterosexual romances, I find, because the opportunities for teenage angst and confusion are so much greater, as are the chances that these emotions will be resolved with maturity. Add in the extra complexity of potential parental disapproval becoming diminished as dependence lessens, and all the ingredients are there. Except… what if, as the years have passed, the parents have become the dependent ones for one or both former lovers?
Renny Landry is being stalked. Unfortunately for her, her stalker is an alpha wolf shifter with a pack of nasty wolves at his beck and call. Renny has Alphaville in her sights, where she finally hopes to find a measure of safety and security when she’s brought down by her stalkers. Enter Mick Fisher, who has his own demons to fight. Has Renny landed into the fire from the frying pan? But Mick smells so enticing! Could he possibly be her mate? read more…
Stevie‘s review of The Bittersweet Bride (Advertisements for Love, Book 1) by Vanessa Riley
Historical Romance published by Entangled: Amara 29 Jan 18
I’m always pleased to see new historical romance series featuring heroes and/or heroines of colour, especially those that acknowledge that Britain has always been less exclusively white than the standard textbooks would have us believe. Fiction and non-fiction have come a long way the past few years when it comes to representation, of course, which also makes it easier for reviewers to judge books purely on their own merits and not give them an automatic pass just because they feature a previously ignored facet of life’s rich tapestry. That being said, this book had a bunch of other features to recommend it to me, beyond those of the heroine: scenes set in an historic shopping arcade that I know well, a romance carried out partially by post, and a group of female friends who support each other’s ambitions and ventures by means of their various talents. So how did it measure up to my expectations?
There is no question that Shay Savage writes some of the most unusual, most eclectic books ever. Some I can’t get enough of *cough – Transcendence, read it! – cough* to others that hold no appeal to me whatsoever. So every time I do start a new one, I know I’m in for something unique. And Judging Books once again fits this bill.
Welcome back to Blessings, Georgia as Ms. Sala gives us the story of colorful Ruby and Peanut. The two of them have played a key role in each of the books in the series so and it’s good for them to finally get their own story. Ms. Sala is one of my favorite authors who has an uncanny ability to bring her stories to life through her words and characters. This particular story is a bit slow and seems to take a few interesting twists and turns before bringing her characters to their safe harbor.
Stevie‘s review of Sweet Tea and Sympathy (Southern Eclectic, Book 1) by Molly Harper
Contemporary Romance published by Gallery Books 21 Nov 17
Small-town romance series are a bit hit or miss for me, but I keep coming back to them in the hope of finding one where the quirky nature of the locals is matched by a strongly characterised central pairing. The trope generally follows the pattern where either an outsider moves to the town through some accident of fate or recently discovered connection or where a former resident returns after a long absence. Either way, part of the fun is seeing the newcomer settle (back) in and (re)acquaint themselves with the locals and their odd traditions. In the case of this particular opener to a new series, the heroine is returning to the bosom of the long-lost family she’d all but forgotten about after her big-city career implodes spectacularly.
I read a series by this author, The Bad Billionaire series, and really enjoyed them, so I figured I’d try another book by her. I can just say that the Billionaire series was written after this book and the author has improved since Break Me. It falls into the abyss of the “it’s OK” category. It’s not good enough to really recommend, but it’s not bad enough to read out of curiosity that surely “it can’t be that bad can it?”
This is my first read by Katie Reus. I have a load of her books in the TBR mountain. After reading this first story in her Redemption Harbor series – along with the second and getting ready to start on the third – I will be cracking open more and more of her books from now on.
Mary Balogh continues her delightful series about the unexpected ups and downs of the Westcott family with this tale of a man who neither expected, nor desired, to inherit an earldom, but is now determined to do right by everyone and repair the years of neglect wrought on the entailed estate by his predecessor in the title. The one snag is that while Alexander Westcott, Earl of Riverdale, has business acumen and experience in estate management, he lacks the resources to turn around the fortunes of his new estate quite as easily as he succeeded with his previously inherited property. Fortunately help is offered from an unexpected quarter in the guise of an unmarried female neighbour, who has recently inherited both property and considerable wealth.