Liz CBook Cover

If you are wondering why this is seven questions that is because I aim for five so I always try to send a few extra (expecting to have a few tossed). And that is IF I send questions – often it is the authors top five most asked questions. That way we don’t ask them for the 2,000,001 time.

I thought this was grand and Liz C answered them all. So it was up to me to toss two. I didn’t think any were tossable. But feel free to disagree and when you get to the end of the interview ask Liz what you think I should have asked *g*. She will be around most of the day to answer your questions.

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Your novels often have a much darker tone to them then we see in many Historical Romances. Why is that? Is it something you set out to do?

I try to write the sort of books I like to read. I cut my teeth on gothics and murder mysteries, so light and witty just doesn’t do it for me. I respect, however, anyone who can do it well. It is a true talent, and one which I do not possess.

I will confess, however, I did read a great deal of Georgette Heyer as a child, and some would argue—perhaps correctly—that her work was the very definition light. But I always felt that in her books something very deep and very critical was at stake beneath all the banter. I can’t quite put my finger on it, but that’s how I felt.

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What has been your hardest book to write? Why?

I think I would have to say No True Gentleman, in part because was as much a historical suspense novel as it was a historical romance, and the two plots were so tightly intertwined. But it was tough, too, in that I wrote it at a point in my life when I had begun to suffer these strange, debilitating migraine headaches. (This from a person who had scarcely taken so much as an aspirin in her life.) All those cyclic “female troubles” most women learn to live with—cramps, cravings, mood swings—I had been completely spared all of my life. And then, at an annoyingly early age, I apparently entered that wonderful stage of womanhood known as perimenopause. Ouch! I was in the middle of it when I wrote NTG, and because I was on deadline, I had to give up waiting for the pain to go away. I’m really proud I managed to finish book, to be honest, because my head hurt every day that I worked on it. Every day. Unrelentingly. And it still turned out to be a pretty decent read. But I think that’s all behind me now—knock wood—because I’ve been almost pain-free since November. Yay!! The triumph of woman over her estrogen! Hope that’s not TMI . . .

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How much research do you put into your Historical Romances and how important is historical accuracy to you as a reader?

As a reader, historical accuracy is critical to me. Too many anachronisms or overly-modern language will pull me right out of a book. Granted, I’m not especially well versed in certain periods. The medieval era, for example. You could definitely slip one over on me there! (Somebody once said they didn’t have any corn on the cob . . . who knew?) But I love the nineteenth century, and I was fortunate when I started writing fiction to have more than a passing familiarity with the period’s history, so that lessened the research required a little bit.

That said, I certainly do make mistakes. Most authors do, I think. But I still pore over several weeks’ worth of research for each book, and I travel a lot. I try never to write about a place which I haven’t seen firsthand. I take a lot of photographs, and study maps almost obsessively. But of course, yes, I take poetic license from time to time. And sometimes I just screw up.

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I by no means want you to move to contemporary romance but thought your novella was delightful. Do you have any plans to do another? How did that come about?

Thank you. I’m glad you enjoyed it. It was fun to write; fun to stretch the brain in a little bit different direction. I wrote it because Simon and Schuster asked me to, and I try to oblige them. I think they just had a slot, and wanted to give me a chance to stretch a bit. At this time, there are no plans for another.

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At a time when so many authors are publisher hopping, you have remained with Simon and Schuster throughout your whole career. Is that something you just fell into or is there something special you have found there?

After I finished my first book, I had that sort of startled deer-in-the-headlights feeling. I think I once likened it to a cat who had caught his tail, and that’s not inaccurate. But once I grasped the fact that I actually had finished a book—it was somewhat unplanned—I decided to dig into the research to ascertain which publishers seemed to do the best job for their authors.

I began to read a lot of romance, and to visit a lot of bookstores. I wanted to see which books were tightly edited. Which books were hitting the bestseller lists. Which books were getting the best placement. That kind of thing. And I pretty quickly targeted two houses, one of which was Simon and Schuster. They literally bought me out of the slush-pile.

I feel I owe them a great deal of loyalty. I also have a wonderful editor, and we really understand one another. We sometimes even scream and shout at one another—but like most of human behavior, but we do it because we know the other will let us get away with it. We have full and frank discussions. Healthy debate. So, yes, that’s something special.

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You are pretty ‘unplugged’. No blog, no web journal, no message board and I rarely see you on them. Why?

I don’t really know. All my writer-ly friends love to chastise me for it. They think I’m insane, and I’m willing to concede they might be right. In part, I think my absence is the result of having spent many years in corporate life, working very hard at things which were not always pleasant, and when I began writing—somewhat accidentally, as I said—I realized that it might be possible to just do what you enjoy, and make a little money at it.

I don’t enjoy promotion. There are a couple of sites I try to visit regularly, but I just use my first name and generally limit my posts to what I’ve been reading or doing. What I do enjoy is interacting with my readers on an individual level.

I try very hard to answer all my e-mail, especially if the reader has a specific question. I have a huge mailing list of people who have asked to be kept apprised of what’s going on with my books, and I love to run contests. Anyone can add themselves to the list at my website. I once visited the site of a really big suspense author whose work I greatly admire, and she had a statement on home page which said something to the effect that, “Ms. Smith loves to hear from her readers, but she regrets that she can no longer answer her e-mail personally.” And I thought to myself, gosh, I hope I never reach that point. That would be half the fun gone—poof! And then I realized I was more or less wishing to limit my career. That’s not good, either! But I’m not at that point yet, and quite possibly never will be.

Another thing I don’t do—and I get a lot of questions about this—is book signings, other than those rare occasions when my publisher asks me to attend an RWA function. I would like nothing more than to go out and meet readers personally, but I did a few signings, and virtually no one turned up! Now, that’s humbling. And that’s when I began to believe that readers will either read your work and like it, or they won’t. Giving them a bookmark or yakking about your life on your blog won’t make your writing any better—and trust me here—my life is exceedingly dull. I also do a great deal of volunteer work with some charities that mean the world to me, and I have a huge, tightly-knit family. Those two things really limit the time I have available.

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How important are friends in the business? Do you brainstorm with other authors? Do you have CP’s? Or are you more of a lone ship in the night.

I don’t brainstorm with other authors. I can barely brainstorm with myself. I do have some very precious friends whom I have met through the business of writing. There are a few of us who hang out together—Sabrina Jeffries, Claudia Dain, Deb Marlowe, and Caren Crane—who, I tell you in all sincerity, is destined to be the Next Big Thing. And SJ just hit the NYT three weeks running! I also have to plug Claudia’s new Regency, which is beyond fab. But these gals are my friends because they are wonderful, amazing people.

We talk about the industry surprisingly little. And yeah, we yell and shout at each other, too. They make fun of me a lot. But writers can be very solitary people, and I think that need not be a detriment to their careers. Deb Marlowe is my critique partner, and we have been working together almost from the very first. (More yelling and shouting!) But I’m thrilled to say that her first book will be out in a few months with Harlequin Historicals in the UK. Deb is just a witty, erudite delight, and I know readers are going to love her work as much as I do.