LKor, “Why I love to write about non-aristocrats.”

Dear Friends,
Lisa K
When I was twenty-seven, all my friends had gotten married and I was the last one left, and I panicked. My panic took the form of getting engaged to the wrong guy, who was so critical that he complained if my fingernail polish didn’t go all the way to the edge of my nail. So I broke it off before we got married, which was a good thing, and then I got depressed, which was not so good for my writing. I was lonely. I ate entire bags of fritos. I submitted uninspired outlines to my editor, who begged me for something else.
Dreaming of You
Guess who saved me?

Derek Craven.

I had created the common-born character of Derek Craven in a previous book, titled Then Came You, with absolutely no intention of ever making him into a romance hero. There was just no way. At that point in the historical romance genre, if a hero was presented as a non-aristocrat, it always turned out that he was a long-lost duke, or an earl in disguise. (I love those kinds of plots, actually, but tough luck for Derek.)

The problem was, there was hardly anything going for Derek as a hero. He had a few snaggled teeth, a Cockney accent, a prostitute for a mother and no father at all, a past history that included burglary and grave-robbing, and an unsavory profession as a gambling club owner who mostly kept company with thieves and prostitutes. He was also illiterate.

But something about this offbeat character kept nagging at me. I wondered what would happen to Derek, if he would ever marry, and I kept playing out scenarios in my mind. I got several letters from readers about him, and people mentioned him at book signings (this was back in the days before we all got on the internet).

So I went to my editor with the plot for Dreaming of You, and she let me go ahead, with several reservations. As I wrote the story of this unusual hero, I began to reflect on relationships and redemption and unconditional love, and what kind of man would be worth waiting for. My ex-fiance was turned into the character of Perry. Heh. And by the end of the book, I was completely healed and ready for a new real-life relationship, but this time without the panic.

When Dreaming of You was published, it barely made a splash. No NYT list, no PW list . . . but as the years passed, it kept being read and reprinted. And readers like our wonderful Kristie J have kept him alive, for which I am so grateful!

Derek opened the door for me to be able to create many other non-aristocratic heroes and heroines. To me, they’re almost always more interesting than the bluebloods. They’re outsiders. They’ve often had to fight for their very survival. They’re hungry, and they want things they may never have. And although I’ve never written a hero exactly like Derek again, there are shades of him in many other male characters I’ve created, among them Logan Scott, Grant Morgan, Zachary Bronson, Nick Gentry, Simon Hunt, Cam Rohan, and in my contemporary book, Hardy Cates.

Do you prefer common-born characters or aristocratic ones? Is it more romantic when the hero is a peer? Who are your favorites, and why? (I encourage you to mention other authors’ characters!)