Hi everyone, and a special ‘Thank You’ to Liviania for having me (Elizabeth Hoyt) on The Good, The Bad and The Unread!
Child characters can be a real pain to write in romance. They can come off as too old, too young, or just plain irritating. A lot of readers say they don’t like children or babies in romances—it detracts from the chemistry between the hero and heroine. So why would an author put a child character in her book? Well, sometimes it’s unavoidable. Children do exist in the real world after all and sometimes it would be odd to omit a child character. If your heroine is a school teacher or mother—or your hero the manager of an orphanage—a child is going to have to be in the book. Sometimes a child character can just be in a walk-on part to add color to a scene.
But what if the child character is more?
Children by their very definition are innocents. They see the world in much more black and white terms, which can be useful for the author. A child character can reveal what the adults are hiding or point out the obvious that the adults have avoided or missed. She can be the emotional center of a story. A child has a harder time concealing emotions. She can cry when the heroine can’t or become angry when the hero is supposed to be neutral.
But the best child characters are not just reflections of the adult characters; they have their own emotional arc within a story. In my latest book, Thief of Shadows, the hero, Winter Makepeace, is the manager of an orphanage in St. Giles, the worst slum in London. One of the boys at the orphanage, Joseph Tinbox, is rather a favorite of Winter’s—even though he isn’t supposed to have favorites. Here’s a scene between Winter and Joseph Tinbox:
All the boys were at lessons. The minute that Winter walked into the classroom and saw Joseph Tinbox he could tell that the boy had already heard the news.”Joseph Tinbox, may I have a word with you?”
The other boys stared at Joseph as if watching a condemned prisoner. Joseph swallowed and rose from the bench he’d been sitting on. As the boy walked toward him, Winter noticed how tall he’d become. He could almost look Winter in the eye. Only a year ago he’d been less than shoulder height. Now he was nearly the height of a man.
Joseph stopped before him and said low so the other boys wouldn’t hear, “Do I have to?”
The sound of his voice cracking on the last word nearly made Winter’s heart split in two. “Yes, you must.”
Joseph lowered his head and proceeded Winter out of the classroom. Winter looked about the hallway for a moment, nonplussed, before leading Joseph to the sickroom. It was empty at present—Peach had felt well enough to join one of the girls’ lessons.
He shut the door and looked at the lad. “You’ve heard, I take it?”
Joseph Tinbox nodded mutely. “Some toff wants to send me off to sea.”
Winter sat on Peach’s empty bed. “He wants to do much more than that, Joseph. He’s promised to buy you a commission in his Majesty’s Royal Navy.”
The grandeur of the name alone was enough to make Joseph’s face break with awe—for a second, no longer. Then he resumed the stubborn expression he’d had upon entering the room. “I don’t want to go.”
Winter nodded. “Of course not. You’ve never been to sea, you will be leaving everyone—and everything—you know. But I’m afraid that doesn’t matter. You’re going to have to be as brave as you’ve ever been, Joseph, because you simply can’t pass up this opportunity.”
Joseph’s eyes darted to the bed Winter was sitting on. “Can’t. Peach needs me.”
For a second Winter wanted to close his eyes and admit defeat. Most of the children came to the Home alone—bereft of both kin and friend. So it was doubly wonderful when they chose to make a friend. To become close to another child alone and lonely in the world. Joseph had, out of pure altruism, become Peach’s protector…and friend. To tear apart such a bond was surely a sin.
But that didn’t matter.
Winter leaned forward, his elbows on his knees. “Most of the boys who leave here become apprentices, you know that, don’t you, Joseph?”
Joseph nodded warily.
“If they are lucky, after years of service, they might become a cobbler or butcher or weaver. All honest trades. All good enough lives.”
Winter spread wide his hands. “But you, Joseph, you have the opportunity now to become more. You can become a gentleman. Once in the Royal Navy—as an officer, not a simple seaman—if you work hard, are brave, and smart, you can rise far above any of the other boys here. Someday you might be captain of your own ship.”
The boy’s eyes widened before he bit his lip. “But the sea. What if I don’t like the sea, sir?”
At that Winter smiled, for it was the one thing he was certain of. “You will. You’ll learn how to sail a ship, listen to the stories of the older boys and men, and travel to wondrous lands far, far away from England. Joseph, it will be the most amazing adventure of your life.”
For a moment Winter was sure he’d won the match. Had convinced Joseph that this decision was the best for the boy in the long run.
Then Joseph Tinbox’s eyes landed on the pillow, still indented from Peach’s head. He stared for a moment, his eyes uncertain and then he looked at Winter, resolute. “I’m sorry, sir. It sounds a treat, really it does, but I can’t leave Peach by herself.”
Winter swallowed. He felt so weary, so tired of fighting and fighting without cessation. Without even a little rest.
But that was maudlin self-pity.
“I’m sorry, too, Joseph Tinbox, for I fear you’ve mistaken the matter.” He rose from the bed. “I’m not asking you to go. I’m ordering you.”
I hope you enjoy Joseph Tinbox’s story in Thief of Shadows!
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I have one copy of Thief of Shadows, the fourth book in the Maiden Lane series, to give away to a reader in the U.S. or Canada. Just leave a comment saying what you think of the series, the excerpt, or who your favorite child character is. The winner will be picked in a week.
I read and enjoyed Charming Mickey’s book. It was nice to get a different take on why he made Silence take that terrible walk from his hideaway.
As for a favorite child character, Rachel Gibson did a nice job in Any Man of Mine. The hero is a professional hockey player and when bringing his little boy on the ice, the child is clumsy and uncoordinated. It’s sweet seeing him come to terms with that and find other avenues of interest.
This is a really intriguing series. I just wish I had more than the first book, but the budget just hasn’t allowed it. I really appreciate seeing parts of London that one doesn’t see in a lot of other historicals from any period.
Later,
Lynn
Hi Elizabeth! I love the those that I read that the plot of the story included the child (otherwise there wouldn’t be a story, since it was a big part of it but lie you say, the hero and heroine have their story but too there is another individual, a child!) And I absolutely love those I read! A couple I can think of was a series that Kayrn Monk did years ago about taking in Orphans by the parents and we did get some of their stories too. These were various ages. I was hooked on the series! And loved seeing that these characters and knowing they had their own HEA in life! Then the recent ones that I read that centered around a child was Celeste Bradley’s The Runaway Brides (Trilogy) where this tot is left on a gentleman’s club step, and three friends try to figure out which one of them are the father and who they had it with! I loved it! I read those of governess in the regency romances and often a child they are taking care of that has some role in the story. Its enjoyable and no way interferes with the romance of the hero and heroine. So obviously, I think its a great theme that can be done so well with the story and I had read a few of your books Elizabeth and loved them, so I’m excited about this book too! I loved the scene you shared! Thanks bunches! Can’t wait to read yours and chat about this too!
Elizabeth –
I actually like having children included in historical romance books. I think it helps to show the true character of the people interacting with them. Although a child can be swayed by others, both other children as well as adults, I think that often they can perceive the goodness and evil in others that some adults often miss.
I also often feel I get a better understanding of what the characters are really feeling in how they interact with children. Is the character understanding, helpful, kind or abrupt and short tempered when interrupted? Also children can be a lot more honest and forthright and say things that a “proper” debutante or lady would never say.
So please be sure to include those children as well as some good honest speaking servants who are ready to voice their opinion. I’ll even think more of the hero and heroine if they actually listen to what they are saying!
I can’t wait to learn more about the Ghost. I’m currently reading Jill Shalvis’ “Forever and a Day” and the I adore the child in the book Toby.
“Undeniable Rogue” (The Rogue Club, Book 1) by Annette Blair was an awesome story of Sabrina and Gideon. Sabrina is new widow and on the way to the estate her deceased husband was told he was heir to. She rescues children from Orphanage in London and the interaction between the children and both she and Gideon make for a wonderful story. I enjoy children in the stories I read as they always throw the H & H off balance yet pulls them together.
Looking forward to reading your book Elizabeth and know I will enjoy as I did the others I read.
Oh how could I have forgotten those Rogue books by Annette! Agree those were great with the child in them. So any do it great with the child within the theme of the story in various ways! I too love to see a hero that was so tough as nails to just react so much with emotions when it comes to kids!
the series sounds awesome and i soo want to read it the excerpt only made me wanan read it more ty for the chance and for posting your now on my wish list