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Our guest author, E.C. Sheedy, she shares a few of her thoughts on life, writing, and the meaning of romance.  And let me just say, we love E.C. ! 

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Oh, yeah, sure, Sybil, make me a guest author in the countdown hours before J.R. Ward’s LOVER UNBOUND is released. Have you got any idea how much I envy J.R. her fantabulous creation, the Black Dagger Brotherhood? And it’s all your fault for putting me on to her boys. Love ‘em, J.R. Totally hooked and can’t wait for UNBOUND!

But I gotta say it . . . as a writer swimming upstream in a river of fantastic paranormal and erotica books, my writerly arms get awfully tired, because I write romantic suspense: murder and sex, fear and love, without an otherworldly beastie in sight. I really do have to get me one of those . . .

But what’s my biggest challenge in writing romantic suspense?

2jasonstatham_shuqui_watm.jpgMaking ‘falling in love’ make sense in a dangerous world—when falling in love is a danger in itself.

I write gritty but not gruesome, I write sex but not kink, and I write villains you love to hate. That’s my shtick. And I came to it via the back door.

For a while, Life (you know . . . the one with the red capital ‘L’) grabbed me by the throat and wouldn’t let go, leaving no time for me to indulge in fictional dreams. When that L went lower-case again, in an effort to prime my rusty word pump, I wrote a death bed scene where a dying man hands three letters to the woman caring for him; letters that, when opened, would not only put her life at risk, but change it in ways she couldn’t imagine. I sent that scene and a couple of chapters to Kate Duffy at Kensington and, wonder of wonders, she bought it, titled it Book Cover(PERFECT EVIL), and got it out there for the world to see. It was Kate who told me I was writing romantic suspense. Brilliant, that Kate. And ever since I’ve been skulking in the back alleys of Romanceland looking for mystery, murder, and mayhem—and those twisted villains I’m so fond of—so I can toss them on the page and make it as difficult as possible for my heroes and heroines to find their happy ending.

 villain.JPGThe big challenge in writing romantic suspense is giving the main characters enough page time to fall in like, fall in love, then fall into bed, even as some evil SOB with murder on his mind leers and taps his yellowed fingernails on the bedroom window. It’s all got to make sense, right? (even though highly- stoked emotions rarely do!) But according to Arthur Aron, a psychologist who studies such things, “People are more likely to feel aroused in a scary setting.” Well, hot damn . . . But while all that is good stuff, it can be hell making it work on the page. Sometimes the damn plot really does get in the way.

Am I the only reader who goes “Aargh!” when a writer slams a sex scene into a suspense plot at exactly the wrong moment?

But I have to say, plot, characters, and love scenes all came together in KISS TOMORROW GOODBYE. So thanks, Sybil, for inviting me here today—and for putting up an excerpt and the cover of KTG on your site for all to see. I lurves ya . . . Book Cover