Our three blog hosts cum Western Romance experts have taken the time to tell you a little more about their thoughts and feelings concerning this beloved genre of theirs. So sit back and have fun with these ladies as they answer the same questions from their very differing points of view!

Sybil in Sybil-ese:

GREAT WESTERN DRIVE: What was the first western romance you ever read?

SYBIL: No clue. Whirlwind Bride by Debra Cowan is the first western I see reviewed on TGTBTU on 3/14/05, but was nowhere near my first western. Or my first Harlequin Historical. I want to say prolly Nicole Jordan’s The Outlaw or Elizabeth Lowell’s Winter Fire, which lead to the Only Series (Winter Fire is still my FAVE and the only series ROCKS).

BUT back when I read trash (I say that with so much love and why I am confused to this day why romance is called ‘trash’), but from 13 to early 20s (I slowed down around 17 cuz I was verra busy causing trouble, uh I mean working), in between reading all of V.C Andrews, Sidney Sheldon, Daniele Steele, Jackie Collins I read a western romance. All I recall, it’s a cover with a bathtub type thing (barrel like) with the outlaw behind her. She was kidnapped. And uh… that is just about it… This is the time to I read Glitter Baby by SEP.

I always say my first romance was Shadowheart by Laura Kinsale because that is when my OCD blogness started. When I went searching for like minded people, found Maili’s blog and AAR. It is when I started my blogspot and blah blah blah (I warned you I ramble, yes?) AND didn’t figure out until after I was blogging for a few years? that Glitter Baby was THE SEP. So I still don’t really ‘count’ that nameless book.

GWD: Do you have a favorite western romance author?

SYBIL: I have favorites I like to bitch about *g*. No longer writing westerns but SHOULD BE faves would be Susan Kay Law, Maureen McKade, and Dana Ransom.

GWD: How about a favorite western hero? Heroine?

SYBIL: Oh I suck at this type of question, can I phone a friend?

GWD: When reading, what do you look for in the perfect cowboy?

SYBIL: Oh holy hell, these questions were put together while I was dealing with the website cuz yuck. I will go with K and W gave amazing answers and point you to them. [Ed. you could try, Syb!]

GWD: And the perfect cowgirl to go with that cowboy?

SYBIL: Someone who can hold their own…

GWD: How do you know when you’re reading a bad western romance? Are they any signs?

SYBIL: The author takes the idea that alpha means abuses, demeaning, or assholish. But oddly I can read and LOVE Elizabeth Lowell’s old westerns. For some reason they don’t trip my switch as being ‘too much.’

If the characters all sound like they are in 2009, I can’t read that, or if the cheese is just too fantastic. The whole drama over Cassie Edwards was odd to me because her writing seems like such a bad joke, I was not at all surprised it was copy and paste.

GWD: What’s the one thing that will really turn off you when reading a western romance?

SYBIL: LOL the above

GWD: How do you know when you’re reading a good Western

SYBIL: LOL I make it through the first few chapters without a headache from rolling my eyes.

GWD: Is there one Western that stands out above all others?

SYBIL: Ride the Fire by Pamela Clare. There is something about a book that opens with a man pointing a gun at a very pregnant woman demanding she doctor him and she gets the upper hand in the first few chapters.

GWD: Who is the Western Author who no longer writes them that you miss the most?

SYBIL: Oops, I answered this, huh? Did I miss anyone? Lorraine Heath REALLY should come back as well as Patrica Potter

GWD: Why do you think westerns have seen such an ebb and flow over the years?

SYBIL: I think it is totally about glitz and glam. People think west and think of the work, sweat, work, bawdy women, work and go ewwwww I want that pretty, pretty, pretty Regency book. Waltz me baby, which is all well and good, but people tend to forget a lot of the Regency history in those books are painted with the same romance brush as westerns.

Personally I don’t ‘put myself’ into the shoes of the heroine. I don’t want to fall in love with the hero as much as I want to fall in love with the love story. And some of my themes lend themselves so well to westerns – Second Chance stories, Road Romances, ‘Cabin Romances.’ People also forget America had a lot of money and glam in the East, so some of those ‘westerns’ can give them both things. They even have virgins in the west… honest.

Ramblin’ Kristie J:

GWD: What was the first western romance you ever read?

KRISTIE: I’ve been reading Westerns for years, so I can’t remember exactly which one it was – but I have a feeling I was at a UBS looking for Rexanne Becnel and forgot her name and ended up getting a Rosanne Bittner instead. I can’t remember what book it was – but it blew me away and I was hooked from then on.

GWD: Do you have a favorite western romance author?

KRISTIE: Well, Rosanne Bittner *g*. Also Patricia Potter, Cheryl St. John, Lorraine Heath (Westerns only). Those are the ones who first come to mind.

GWD: How about a favorite western hero? Heroine?

KRISTIE: Hero – there are too many to choose from!! Heroines one of my favorites is Miranda Hayes from Outlaw Hearts by Rosanne Bittner.

GWD: When reading, what do you look for in the perfect cowboy?

KRISTIE: I always love a hero who is wrecked for the heroine – in any genre. I also love the tortured hero. Lobo from Patricia Potter is one who fits both those bills.

GWD: And the perfect cowgirl to go with that cowboy?

KRISTIE: As for cowgirls – one who is strong, who doesn’t rely on the hero to bail her out. One who wears dresses for the most part, although I did just finish Stacey Kayne’s latest, Mountain Wild, and she was a trapper yet I really liked her. I think it was because she was forced into her circumstances rather than choosing it. [Ed. See, Sybs, not so hard!]

GWD: How do you know when you’re reading a bad western romance? Are they any signs?

KRISTIE: I started reading one not long ago and the author put in “Western” speak!! It was awful – even worse than Scottish speak. I couldn’t get past the first chapter. It may have been a good story, but I’ll never know. Wooden stereotypes are also annoying.

GWD: What’s the one thing that will really turn off when reading a western romance?

KRISTIE: Bad writing, bad writing, bad writing. As much as I love Westerns, a poorly written book will turn me off.

GWD: Is there one Western that stands out above all others?

KRISTIE: Outlaw Hearts by Rosanne Bittner. If someone asked for my choice for one that embodies most of what I love about the genre, this is my number one pick.

GWD: Who is the Western Author who no longer writes them that you miss the most?

KRISTIE: Lorraine Heath – without question. Her Westerns had a poignancy – every single one – and I don’t think she has captured that as well in her English historicals.

GWD: Why do you think westerns have seen such an ebb and flow over the years?

KRISTIE: I think all genres have an ebb and flow but the Western more so then most. I don’t think a lot of readers have tried them, so they don’t know what they are missing. I think a number of readers who have tried them just haven’t read the right one for them. And I think some readers like being carried away by the fantasy of England. But if they read the right one – and see what a good Western can offer – I think they can be swayed. There are a lot of genres I thought I’d never try and yet when I read that one book, I was converted. And I think there are quite a fan of Westerns who have kind of ‘forgotten’ about them. We are really hoping to reach all those groups with this Drive.

Wendy, the SuperLibrarian:

GWD: What was the first western romance you ever read?

WENDY: Nevada Nights by Ruth Ryan Langan, a 1980s-tastic western romance that I read when I was around 14 years old and the first book I read that had gasp s-e-x in it. This book features some of my favorite old-skool tropes. Convent-raised heroine? Check. Mysterious gunslinger named Colt? Check. Soap opera style plot featuring heroine’s odious long-lost family? Check. I wouldn’t recommend this book to readers today, but, dang, as a doe-eyed teen I flipping loved every single word.

GWD: Do you have a favorite western romance author?

WENDY: Hands down Maggie Osborne. She wrote fantastic heroines and never took the easy way out in her stories.

GWD: How about a favorite western hero? Heroine?

WENDY: This is tough. I have a huge soft spot for Beta heroes, so probably Dillon Hennessey from The Horseman by Jillian Hart. Although I also have a soft spot for younger heroes who feel like they have to ‘prove themselves’ – so on that front I think Austin Leigh from Texas Splendor by Lorraine Heath wins.

GWD: When reading, what do you look for in the perfect cowboy?

WENDY: I’m looking for a hero with a strong moral code. Heroes that, while they might have terrible reputations, will ultimately do what’s right.

GWD: And the perfect cowgirl to go with that cowboy?

WENDY: Generally speaking, I like heroines with gumption. They don’t have to kick ass and rescue themselves necessarily, but I also want them to do more than sit in the corner, ring their hands and cry. A lot of western heroines start out their romances literally up against a wall (and no, not in a good way!) and I like reading about a woman who isn’t going to simply roll over and die or pray for a hero to come along and rescue her.

GWD: How do you know when you’re reading a bad western romance? Are they any signs?

WENDY: There’s a long-lost gold mine in the plot. Seriously. Every terrible western I’ve read tends to feature a long-lost gold mine. Also, there’s a bathing scene. Hero and/or heroine spies the other one taking a bath in a stream, pond, lake, whatever and they get all tingly. Sort of like spies in Regency historicals, the bathing scene has been done to death in westerns and it needs to be taken out behind the barn and shot.

GWD: What’s the one thing that will really turn you off when reading a western romance?

WENDY: Too-stupid-to-live heroines who aren’t dead yet. Look, living in the west was hard. There weren’t a lot of comforts, and for that matter, there wasn’t a whole lot of structured law. When I read about a heroine doing something stupid in a western, I think to myself, “How is she not dead yet?”

GWD: How do you know when you’re reading a good Western?

WENDY: Westerns aren’t all that different from other romance subgenres. I’m looking for what I call the Emotional Gut Punch Moment. That moment when the author takes all the emotion, heartbreak, angst, etc., rolls it up and smacks the reader over the head with it. Every book in my keeper stash has such a moment. That moment where the author literally rips my heart out, resurrects it, and stuffs it back into my chest cavity.

GWD: Is there one Western that stands out above all others?

WENDY: This is tough because I’ve read so many great westerns over the years. I would say Lorraine Heath’s Texas/Leigh brother trilogy, mostly because it’s one of the few times in my life I’ve ever read a series back-to-back-to-back. Also, A Reason To Live by Maureen McKade, just for the sheer emotional intensity of that story. That story knocked me out.

GWD: Who is the Western Author who no longer writes them that you miss the most?

WENDY: Definitely Maggie Osborne, who retired after her last book in 2004. I really admire many of her books and, frankly, I think the romance genre desperately needs more writers like her.

Of authors who are still publishing but have left the west? Probably a toss up between Lorraine Heath and Nicole Jordan.

GWD: Why do you think westerns have seen such an ebb and flow over the years?

WENDY: Demographics have changed. The baby boomers literally grew up on westerns, in books, films, and TV. You couldn’t turn on a TV in the 1960s without tripping over a cowboy. But as time has advanced, publishers (like every other industry) is desperate to court that 18-49 year old demographic, and frankly? Those readers (of which I’m one) didn’t necessarily grow up on westerns. Also, publishers want to make money – so they’ll hop on The Next Big Thing, whatever that is, when it starts to sell. Hey, the western romance was king at one point, but like everything, it couldn’t last forever. Readers got burnt out. They got tired of slogging through crap to get to the gems. So they went looking for something “new.” I think readers will come back to the western, especially those readers hungry for real emotional stories. It’s just going to take publishers willing to take the “risk” and talented authors churning out quality stories.

GWD: And there you have it, Western fans, the be-all, end-all last word of the biggest fans in blogdom about reading those famed Western romances. You ready to gnaw on some bones with these gals?

This just in…

Susan Elizabeth Phillips is gearing up for a launch party on February 7 for the release of What I Did for Love.  Even if you don’t live in or near Chicago, you can still participate!

~ You’ll be able to watch the party unfold through live streaming over the internet.

~ You may also ask questions of Susan beforehand and she will answer them sometime during the festivities.

~ For those of you in the Chicago area, the party is being held at Anderson’s Bookshop, 123 West Jefferson in Naperville, Illinois at 2:00 p.m. on Saturday, February 7.  There is a note on Susan’s site to check on that start time the closer to the event.  It may be subject to change.  Call Anderson’s at (630) 355-2665.

~ So you don’t forget, set up a reminder to make sure you get a good seat!  And if you have friends who aren’t that computer savy, they can listen by phone by calling 347-826-9686.

~ If you preorder your copy of What I Did for Love, Susan will autograph and personalize it for you.

~ She will also be signing Glitter Baby for those of you who don’t have your copy yet.

~ Check out Susan’s site for further travel plans if you’d like to stay in the Chicago area.

~ On Sunday, February 8, 9:00 p.m. EST, Susan will be chatting at Writerspace, if you’re not able to catch her on Saturday.

Consider yourself flashed.

Limecello’s review of Glitter Baby by Susan Elizabeth Phillips
Fiction re-released by Avon on 30 Dec 08

Susan Elizabeth Phillips is one of my favorite authors. Favorite. Glitter Baby is one of the few novels that Ms. Phillips wrote that I hadn’t yet read due to availability, so I’m so glad this one was reprinted. Glitter Baby was first published in 1987 [Ed.: Check out the totally tubular shoulder-pad action on the original cover by mousing over this one], and this re-print has some revisions. I haven’t read a novel by Ms. Phillips in a while, so it was nice to come back to a novel that had the tone and style of her earlier works. I really enjoyed Glitter Baby – the characters are likable and well written, and the Hollywood aspect is a great tie to her new release What I Did For Love. (Which I need to get my hands on!)

“The Glitter Baby” is the persona created for the public facet of Fleur Savagar’s life. She is also the first character we meet in the novel, and the opening is quite effective. I really liked the introduction, but immediately after the story moved to tell of Fleur’s mother — Belinda Britton. I really didn’t like Belinda, and for more than the obvious reasons. She’s a horrible person, a parasite, and quite likely a sociopath. At least, that’s what I thought of Belinda. But perhaps being a sociopath would make it better, because Belinda was so one dimensional. Perhaps I don’t sympathize with her enough, but I never felt that Belinda truly loved Fleur. She only “loved” her daughter because Fleur was a tie to Errol Flynn — Fleur’s father.

This is getting confusing. I felt that the reader is actually given much more of Belinda’s history than Fleur’s in comparison. (In a way I felt that Fleur was slightly short changed.) Belinda is obsessed with Hollywood. She wants to be a star, but while beautiful, has no personality. Belinda also views actors as being superhuman. They can do what they want, and are better and more important than “regular people.” It’s almost creepy the way Belinda is willing to be degraded to cater to the whims of “Hollywood royalty.” Belinda is living with Errol Flynn, but ends up marrying Alexi Savagar when Belinda discovers she is pregnant after Flynn drops her.  I got the impression that Alexi loved Belinda, at first, but that Alexi is a psychopath. I had hoped he would be more emotive, but alas, no. Fleur grows up away from home, because while Flynn and Savagar were friends, they were also rivals, and Alexi isn’t willing to raise someone else’s bastard.

The reader truly meets Fleur when she is sixteen, and Fleur is quite the sympathetic character. She’s desperate for love and acceptance, and has been manipulated by everyone who should have her best interest at heart. In a way, I was much more interested with Fleur’s past than with her as a person at that point. Fleur comes into herself throughout the novel, and experiences tragedy and growth in some of the most emotionally damaging ways. While Fleur’s character tugs on your heart strings, I admit that at times I got fed up. Aside from getting herself into some predictable situations, Fleur often was too naive — she needed a reality check.

Jake Koranda is a terrific hero, and in my opinion possibly one of the most approachable ones Ms. Phillips has written. He’s flawed, but in a good way. Although an award winning author and A-list author, Jake seems the most “normal.” I also liked that he never went out of his way to hurt Fleur -and he knew he wanted to pursue her early on. Jake is complex. He’s temperamental, bitter, and has a major chip on his shoulder. Yet he’s a good guy – and really cares for people. He’s smart, and had a difficult life. Jake is scarred by his childhood, his experience with marriage, and his stint in Vietnam. He’s lived a lifetime before he even hit 30. Jake is also gruff, abrupt, and sometimes a jerk. In short, he’s human. But one of the better guys.

The people and personalities truly are what make the book – the secondary stories and characters are a joy to read. Fleur’s half-brother Michel, and Fleur’s roommate/friend Kissy Sue Christie are unique in the best way possible. It has been a long time since I enjoyed a “supporting cast” as much. I also have to say – at the time where Fleur takes her life back into her hands, she becomes a great heroine. It’s really sweet how she’s her own woman, but still that shy awkward girl with Jake. And I love how he insists on intruding in her life and being there for her.

The resolution — as in what brought Fleur and Jake together — was terrific, and I’d love read or see a cameo appearance by any of these characters. I recommend this book to anyone who loves Susan Elizabeth Phillips’ writing (and who doesn’t?) as well as readers of contemporary romance, or simply anyone looking for a great new read.

Grade: A-

Summary:

Welcome to the world of the Glitter Baby

Fleur Savagar is the most beautiful woman in the world . . . to everyone but herself. With her oversized hands and paddle-boat feet, her streaky blond hair and funny green eyes, she lives a life filled with secrets that began before she was born. That was when her bewitching mother left home to find James Dean and met Errol Flynn instead. Now Fleur has to grow up quickly, and life won’t make that easy.

Jake Koranda is both New York’s most brilliant playwright and Hollywood’s hottest actor. Difficult, talented, and tormented, he has no patience for international glamour girls, not even ones with beautiful bodies and smart-aleck mouths. But there’s more to the Glitter Baby than shine, and Fleur’s tougher than Jake expects. Even with the odds stacked against her, she’s fiercely determined to discover the woman she’s destined to be.

An ugly duckling who can’t believe she’s turned into a swan . . . A tough-guy movie star with a haunted past . . . In a land of broken dreams, can two unlikely lovers trust their hearts?

Read an excerpt here.